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UID:9a9191978a4b3b7d25985cf7eae3f17a0d7aa8cd@localsdozen.com
DTSTAMP:20261005T051050Z
DTSTART;TZID=America/Toronto:20260925T123000
DTEND;TZID=America/Toronto:20260925T170000
SUMMARY:Kamiphony by Cybele Young
LOCATION:Koffler Arts\, <p>180 Shaw St.\, #105 Toronto\, ON M6J 2W5</p>
DESCRIPTION:Koffler Arts welcomes Governor General’s Award winning arti
 st Cybèle Young to the Koffler Gallery for the international debut of he
 r exhibition\, Kamiphony\, curated by Zoë Foster. At the centre of the e
 xhibition is a pantheon of kinetic paper machines. Over time\, each sculp
 tural object performs a small\, repetitive action. Lighting and sound amp
 lification accompany their movements\, creating a shifting tableau of mot
 ion\, dancing shadows\, and sound. These kinetic sculptures are situated 
 within a long tradition that has championed uselessness. From Aristotle t
 o Baroque automata\, from Bruno Munari to Jean Tinguely’s anarchic scul
 ptures\, philosophers and artists have repeatedly returned to this idea. 
 By engaging with these historical debates\, Young invites viewers to cons
 ider our present-day predicament. The sculptures’ refusal to be efficie
 nt mirrors a contemporary moment in which we are re-examining the value o
 f work as a result of COVID-19. For Young\, this project is also deeply p
 ersonal. She began creating the work in response to her experience of men
 opause\, during which her body felt as though it was “breaking down.”
  This experience inspired her to explore the space between what no longer
  works and something new that has yet to take form. The machines’ repet
 itive movements foreshadow that something will – over time – emerge. 
 Their persistence draws viewers into a public ritual where repetition its
 elf becomes a form of meaning-making. In conceiving this work\, Young was
  also influenced by her great-uncle\, the composer Colin McPhee\, who\, w
 hile encountering ritual traditions in Bali\, observed that usefulness is
  not measured by output or progress but by duration and presence. As visi
 tors move through the exhibition\, the sculptural machines become a misch
 ievous orchestra. They invite us to reimagine our world together and ques
 tion its parts. - Cybèle Young is a Toronto-based multidisciplinary arti
 st and author. Her decades-long collaboration with Japanese paper anchors
  a practice concerned with transformation\, ritual\, and shifting perspec
 tive - from intricate paper miniatures to kinetic installations. Drawing 
 from Dada\, Fluxus\, and the anthropology of play\, she builds poetic str
 uctures that unsettle the familiar. Since graduating from the Ontario Col
 lege of Art & Design in 1995\, Young has presented more than twenty solo 
 exhibitions and over thirty group exhibitions across Canada and internati
 onally\, including New York\, Los Angeles\, London\, Oslo\, Singapore\, B
 eijing\, and Tokyo. Her work is held in numerous public and private colle
 ctions\, including the Canada Council Art Bank\, Global Affairs Canada\, 
 BMO Financial Group\, OMERS\, and Ernst & Young. She has received more th
 an thirty grants and awards\, including the Governor General's Literary A
 ward and a Canada Council residency in Paris\, and is represented by Foru
 m Gallery in New York and Los Angeles. Her practice continues to evolve t
 hrough interdisciplinary projects\, bringing together sculpture\, movemen
 t\, sound\, film\, and participation. Kamiphony marks a significant new c
 hapter in this ongoing exploration.\n\nEvent page: https://www.kofflerart
 s.org/whatson/exhibitions/exhibition/kamiphony-cybele-young\n\nLocal's Do
 zen: https://localsdozen.com/\n\nGet the weekly dozen: https://localsdoze
 n.com/#/portal/signup
URL:https://www.kofflerarts.org/whatson/exhibitions/exhibition/kamiphony-
 cybele-young
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